Greg Enriquez
Taipei visit: 09/14 - 09/17
Personally selected and endorsed by Maestro Seth Riggs, Greg Enriquez is widely recognized as the industry’s leading vocal technique instructor.
Over more than 35 years, he has coached thousands of singers, dancers and actors in vocal technique and all aspects of musical performance.
Alongside his private studio practice, Greg works internationally as a tour vocal coach, guest lecturer, and instructor in vocal technique and vocal therapy.
Greg is partnering with INGYAHNG to develop the next generation of vocal talent in Taiwan. INGYAHNG will sponsor private instruction for selected professional singers in Taiwan, with the goal of identifying artists for potential collaboration with our music production team.
Greg Enriquez is highly sought after for his expertise and has worked with notable artists such as Celine Dion, Solange Knowles, Britney Spears.
In the realm of popular music, Greg's students have secured production deals with industry giants like David Foster, Quincy Jones.
His proven track record speaks for itself.
Greg Enriquez Method
Find the Bridges
Locate the exact transitions where your voice tends to break, tighten, or push.
Understand exactly where those transitions happen — and learn how to navigate them.
Navigate the Bridges
Coordinate your registers so the passage from low to high is seamless.
Connection instead of force.
Sing through the Bridges
Move from exercises into the songs you actually sing.
Technical control becomes freedom on the stage.
The Process
When singers move higher in their range, the voice often reaches a point where it wants to shift, tighten, or break.
Voice teachers call this the passaggio — the transition between registers. Many singers learn to work around it by changing keys, avoiding certain notes, or pushing harder to get through them. Greg Enriquez teaches a different approach.
Rather than treating chest voice and head voice as separate parts of the instrument, he teaches singers to coordinate the registers through these transitions so the voice remains connected, free, and full across the range.
The approach comes from the Italian Bel Canto tradition, refined through a contemporary, speech-based approach to singing.
The result is a voice that feels like one instrument from bottom to top.
Singers will hear their own voice, whole, for the first time.